Chhimi Tenduf-La’s latest novel, ‘Panther’, is a gripping tale set in a hostile environment where communal tensions, bloodlust and vengeance rules. He has set it in Sri Lanka…but honestly speaking, it could be any country: from the war-ravaged East to the civilized West, where they don’t speak of it. In the end, it’s a tale about human nature and the fight of humanity against evil forces that often may exist in your own mind. It reads like a poem and reminded me of these lines from ‘The Second Coming’ by W.B. Yeats:
Turning and turning in the widening gyre,
The falcon cannot hear the falconer:
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.
A haunting tale that will inevitably remind you of all your troubles back in high school. The novel traces the journey of Prabhu, a young Tamil boy and a cricket protégé growing up in Sri Lanka, who is admitted to an elite school of rich boys. But Prabhu has a past that his classmates who have lived comfortable lives guarded against all harm cannot imagine: he is a former child soldier and had been once closely associated with the fictional terror group of ‘Panthers’. With a past that refuses to be silenced and memories that abruptly rear their ugly heads, Prabhu has to learn to overcome the onerous burdens of high school.
What is noteworthy about the author is his incredible talent to poignantly pen on paper the angst of adolescence, for all boys, rich or poor. Some problems like finding a perfect date, scoring good marks in your examination, gaining popularity among your peer circle, impressing your crush and living up to your parents expectations, or more pertinently, them living up to yours, are universal themes all adolescents can connect with. But at the same time, the novel deals with darker themes like the plight of child soldiers, or simply of children growing up in a war-ravaged nation. Children growing up in an environment where tensions are high are forced to make impossible choices between right and wrong, good and bad; sometimes with no proper guidance. More often than not, they end up emulating their parents and other elders around, but the real question is: what happens when the elders are prejudiced and misguided? The vicious cycle of hate pervasively present in so many South Asian, Middle Eastern, and Western nations has been pain strikingly taken apart by the author and presented to us in vivid detail.
From paedophiles who rape orphaned boys, to terrorist leaders who brainwash child soldiers to fight wars they don’t understand, to army soldiers who shoot and torture even those who surrender, to families forced to sacrifice one child to the ‘cause’ to save another: this book (some may find it disturbing) expostulates on the worst side of human nature. It talks about everything society would rather push under the rug. Yet, as is atypical of this author, the serious is peppered with moments of hilarity. This extract, for instance, is one of my personal favourites:
…the letter ‘A’ pendant cost six thousand rupees, but they had a discount on the letter ‘I’ pendants. He deliberated for a while. Since Achala’s name began with ‘A’, the ‘A’ pendant might have been the more appropriate, but he knew he couldn’t ask Indika, whose name began with an ‘I’, for more money. So the ‘I’ would have to do.
Indika and Prabhu’s friendship is one of the most humane bonds of friendship that I have ever read in a novel. The characters of both boys is so well-developed that you would feel you know them personally. In many ways the novel is also a ‘coming of age’ story, as different characters evolve and grow in different ways as the novel progresses. The concluding chapters especially have a beautiful point of climactic twist in certain protagonists’ personalities, but saying more would be giving out spoilers, and for a book as captivating as this, it would be a cardinal sin.
The only minor point of contention for me would be the excessive use of abuses in the text, but I guess it does help set the mood, and my prudish love for ‘proper’ language would probably be judged by most to be orthodox. We all do have our points of squeamishness, don’t we? The style otherwise is unique: the narrator, who is incidentally also the protagonist, shifts from second person, to third person and even to first person narrative. Sometimes it feels like he is narrating a story to us, while at other points the readers are standing next to him, watching an event unfold. The style is such that all passing thoughts and sudden observations are noted down in vivid details, for example a page devoted only to a cockroach on a cricket pitch. Yet the details aren’t random or arbitrary. In many ways this book has a firm foundation in psychology and these seemingly random details, in the end reveal a lot more than one could imagine. The language is simple and easy to understand, but hard to gauge. You might just find yourself turning the pages for one more read.